"Painting from the Earth" Exhibit next Friday!

cialis sale

AAAAAI8/aVdQFQMFXZw/s320/the+dreaming+tree.jpg” border=”0″ alt=”” width=”109″ height=”320″ />

After locking myself in my studio for the past 4 months, I have just emerged with 25 new paintings (and a large pregnant belly) using all natural earth pigments with no toxins or solvents.
Join me this Friday, March 19th for the Opening Reception at the Rogue Gallery & Art Center in Medford, Oregon. 40 S. Bartlett St. 5-8 pm
I collected all of the reds, browns, yellows, oranges and blacks locally in Southern Oregon and Northern CA, while the blue and green earth pigments were purchased from earthpigments in Arizona. I dried and ground the soils and mixed them with local walnut oils to produce the most permanent, UV resistant, inexpensive and vibrant paints available (see photos below of process).

Article this Sunday in the Mail Tribune

cialis for sale

ot.com/_vq5xfNWGQzU/S5rOh_1TYxI/AAAAAAAAAI0/m2mqFVwWgFw/s320/slowly+surely.jpg” border=”0″ alt=”” width=”319″ height=”320″ />

On March 14th, pick up a copy of this Sunday’s Mail Tribune (Medford, Oregon)! Reporter Sarah Lemon and a photographer came out to my studio in the country and interviewed me about making natural earth paints and the upcoming show.

Mini-Earth Art at Bohemia Gallery

Come see a sneak preview of some small earth pigment paintings at Bohemia Gallery in Ashland!
It’s the annual mini-art show and will be up throughout

December and January.

Where: Bohemia Gallery: 552 A St. Ashland, OR
All of my pieces were created with all natural, local, sustainable materials and pigments that I either collected from around Oregon or purchased from a natural pigment supplier.
I’ve been painting like a mad woman and will until mid- March for a large one-woman show at the Rogue Gallery & Art Center in Medford. Atleast 20 new large paintings, all with natural pigments and nut oils and other elements from the earth!
Collecting some nice yellow ochre in the Illinois Valley (while 5 months pregnant).

Making Egg Tempera Paint is so easy

fast payday loans

ot.com/_vq5xfNWGQzU/Swc_agDP3oI/AAAAAAAAAHI/hP25X1xmAVk/s320/egg+tempera.jpg” alt=”” width=”320″ height=”162″ border=”0″ />

Tempera painting actually came before oil painting as the most favored medium and is very unique in its characteristics. It produces a crisp, luminous and almost linear effect that’s different from oil. Using egg yolk as the binder, this ancient technique makes a water-soluble paint that dries quickly allowing for overpainting with more tempera or other mediums. It’s a very permanent technique.
Basic Recipe: Egg Yolk, water, dry pigments
Just like oil paints, the recipe is a simple mixture of the binder with the pigments to produce the proper consistency. The first step is to properly separate the egg from the white. Break open an egg, cleanly separating the yolk from the white. Keeping the yolk whole, dry it by passing it back and forth in the palms of your hands, drying the palm with each pass (or roll it on a papertowel). The yolk must then be removed from the sack. This is easily done by holding the yolk over a dish or jar with your thumb and forefinger, piercing the sack to allow the contents to flow out. Discard the empty sac. The yolk itself can then be mixed directly with your dry pigments using water to lengthen. A drop or two of Clove Oil can be added to slow spoilage.

How to collect and prepare non-toxic earth paints

I just drove from Jacksonville, OR to the Redwoods in Northern CA and found many beautiful oranges, reds and deep yellows along the side of the road. Good locations to find pigments are road cuts, quarries (which often reveal strata of several different colored earths), eroded areas, banks of rivers or streams, or construction sites. The mountains or along the coast of Oregon are rich with iron oxide pigments. Bad locations would be open fields or areas with crops or dense growth.
I just stuck a trowel and some baggies in the car and dug up samples along the way. It’s important to label really well with exact location so you can come back to get more in the future. Look for soil as free as possible of humus (organic matter), rocks and sand- you want mostly clay.
Washing the soil: This is not an essential step unless it’s filled with a lot of foreign matter….Mix earth with water to make a “slurry”. Allow to settle for hours or days. Sand and heavy materials go to the bottom- humus floats to top. Remove floating matter on top and siphon out water with syringe.
Drying Pigments: Spread on newspaper, burlap, fabric and put in sun or studio to dry
Grinding: Sift thru a flour sifter or screen to remove particles of humus or gravel; then grind in a mortar and pestle. Sift and grind again if needed.
Making your own oil paint could not be any easier. It takes about 60 seconds really. On a glass or enamel surface, place a pile of dry pigment (a tablespoon or two to start). Add walnut oil or walnut alkyd medium (which makes the paint dry faster) by drops, a little goes a long way. Use a sturdy rounded, flat palette knife to work the oil into the pigment until it is the proper consistency, continually bringing the outside of the paste towards the center. You can also use a glass muller to ensure that every particle is coated with oil (see picture below) but it’s not totally necessary. This paint is then used immediately from your palette. You can use more oil to make the paint thinner.

Earth pigments and new discoveries

Now, that we’ve talked about how easy it is to eliminate toxic solvents and toxic pigments from your oil painting process (see earlier posts), it’s time to move deeper into making our own earth based paints. When I first started this project, I stated that I wanted to make paints with plants, mosses, seaweeds and native earths. But I’ve since learned that plants, mosses and seaweeds are more used for making dyes (water-soluble pigments) as opposed to oil paint (non-soluble pigments). The best and most permanent of all pigments for oil paint are different types of earths (preferably clay based).
Since prehistoric times, 15,000 years ago, people have been using the earth to make red, yellow, brown, white and some green paint. For black, most cultures used soot or charcoal and white came from chalk, lime or kaolin. Blue, purple and green were trickier to come by and different cultures used different methods for attaining it. The prehistoric people achieved it with manganese ore while the ancient Egyptians were the first to artificially produce those colors using copper frits. The Chinese Buddhist monks used azurite and malachite for blues and greens and the Etruscans crushed Lapis Lazuli.
My current goal is to collect my own red, yellow and brown from the mountains of Southern Oregon (which is rich with these colors of earth). Green earth is harder to come by and is thought to come from oceanic deposits but I will definitely keep an eye out for it along with white and black earths. For blue and purple, I will purchase these pigments from online stores which sell natural earth pigments that have been “minimally enhanced with mineral based pigments” to create nice blues, greens and plums.

More to come on making paints (collecting, grinding, cleaning, binders, etc.) and purchasing pigments (sources, prices, etc.). Stay tuned…

Last drawing of the month!

I‘ve really had a wonderful time with this self-imposed drawing project. My “coloring sessions” each morning always got my creative juices flowing and brought on a peaceful calm and a childlike joyful focus. For some reason I’m reminded of my last day of art school. After 4 years and thousands of hours of people critiquing my art every day, my toughest teacher brought me aside in our last private critique and said, “I want you to forget ALL of those critiques and always remember to paint what you love and create art with joy.”
This seemed like such a simple thing to say but it was shocking to my ears because no other teacher had ever uttered these words. This project was definitely pure joy and celebrated my love of simple color, line, pattern and surrender as I watched to see what my hand would do each day.
****Stay Tuned for more tips on environmental, earth art and materials.

“incubate” 15″ x 15″ $35 ($50 matted)

oil pastel #30

“source” 10″ x 10″ $25 ($35 matted)

« Previous
Next »